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  1. Hi. I just finished my latest project. It is a replica of an early medieval (Viking Age) spearhead. It is a reconstruction of the find from Ciepłe (Poland). It is completely made of bloomery iron. I have used 3 kinds of materials: soft low carbon iron smelted from hematite ore, high carbon steel I made in Aristotle furnace, and high phosphorus low carbon iron smelted from bog ore. The socket is a wrap and welded. The pattern-welded twist bars are welded on both sides of the spear core. To weld twist pattern billets I used high carbon steel and P-iron, cutting edge is steel, socket and core is
    16 points
  2. “Far over the misty mountains cold, To dungeons deep and caverns old, We must away, Ere break of day, To claim our long forgotten Gold the latest Seax by Myself and Petr Florianek... My blade but Petr has surpassed himself with the blade carving , handle and sheath ...My fave to date. hope you like it. [
    16 points
  3. Hello! I apologize profusely for the novel that is about to come, I promise I won't be offended if you skip to the pictures I recently graduated from Hampshire College in Massachusetts. Instead of Freshman, Sophomore, etc, students are divided into Division I, II, and III. The first year you take a broad set of unrelated classes, and throughout your middle two years you hone in on something interesting you want to study. Your last year, Division III, is spent working on a thesis project that should be the culmination of the last three years of work and study, producing s
    16 points
  4. . Hello how are you! I haven't posted any work for a long time, but we finished several commissions during the time of the pandemic. little by little I will upload material to share! Medusa is a typical one-handed sword from the early Renaissance, with a type XV blade of the Oakeshott classification, very popular in the middle and late fourteenth century, its use reaching the fifteenth century. Its guard has spatulate beds, openwork with a Gothic trefoil, an ornamental shape composed of the outline of three superimposed rings, very popular at the time, used in Gothic tracery, heraldry, il
    15 points
  5. Hello! this is The Moon's Daughter, a type XVIII b sword that we started in the May Sword Reflections class of Tannery Pond with Zack Jonas and Peter Jonnhson. finally we finished it. is a pattern welded sword. (1095/1070) the thickness at the cross is 6 mm and the width is 47 mm. The length of the blade is 94 cm and it is 118 in total length. is built following the guidelines dictated by Peter J for the class, many thanks to PJ, ZJ and the classmates for such beautiful days
    15 points
  6. I have been working on the idea of this for a while...patternwelded inlay(ish) ...this is patternweld with sterling silver spacers and inlay/
    14 points
  7. This is lhe latest colaberation knife made by myself and Petr Florianek. Inspired by saxon swords the 11" blade and handle are made by me and the carving and Sterling silver handle ornamentation is by Petr. going for the bling bling! Hope you like it.
    14 points
  8. Forging the Blade The raw material for this blade spent most of the last century on a former homestead. A large portion of the steel was used for another blade, this was the piece cut from half of the left side. Slowly drying the clay for yaki-ire over the embers in the charcoal forge. After yaki-ire, an #80 grit Sun Tiger stone reveals the approximate hamon as the geometry is set. Habaki Habaki forged to shape in preparation for silver soldering in the charcoal forge. The habaki is textured with files and patinated using a blend of copper salts sim
    14 points
  9. Hey everyone! I'm working on a kind of general Viking woman's knife. I drew inspiration from a bunch of different types of seaxes and knives, and distilled it into what you'll see here! It's maybe not quite a seax, but I don't think it's just a knife either. It's being made for a friend of mine in Iceland who gifted me some really amazing material when I was over there last year. She asked for 'a simple viking woman's knife' and I think I may have missed the mark on the 'simple' part, but it is what it is! I'll attach a bunch of photos like usual and maybe some reference I used fo
    13 points
  10. hi everyone! Alright, so I'm spending somewhat of an eternity working on the sheath of this thing - so I've decided to post at least half of the thing... the knife itself. Let me present - Draumr Gripnir - the "Dream Grip" - with some unintended fingermarks and all! Blade in two bars of folded and twisted railroad steel, with a third bar (edge) of 15n20 and ferrier's rasps. Handle i copper, brass, camel bone and vulcanized fiber. The runes engraved in the brass reads "keep your blade sharp, but your mind sharper". The nut on the
    13 points
  11. Blade: 1080 & 15N20 Handle: cocobolo Fittings: 416
    13 points
  12. All: It's been about two years since the death of my father. He died unexpectedly and suddenly. Him and I were working on our jointly owned boat in Cordova, Ak and he got a stomach ache. A few days later he was diagnosed with stage 4 Pancreatic Cancer. Ten days later he died. We had a few days to say goodbye. The very last beer I shared with my Dad was sitting on the flying bridge of his Boat in what was going to be his retirement home in Florida. I asked him what he wanted done at his funeral. In my Dad's characteristic humor he said he wanted me to build a Viking shi
    13 points
  13. I decided to forge the longest early-medieval spearhead ever found in Poland. Its original find was found in the Lednica lake in 1961. It has a hexagonal socket. The blade is pattern-welded (four twist bars on each side). To forge it I used 19 cent. wrought iron and steel. It took 6 full day work days and. I used 120 kg of coke. here you can find complete cataloque of spears from Lednica lake: http://studialednickie.pl/wiadomosci/biblioteka-studiow-lednickich/66096ae1c4bcf6d985f3fd81714fdd9a.pdf
    12 points
  14. First go at one if these, just too cool not to try. had some issues that were mostly as a result of rushing or not paying attention but I’m happy with it over all. Would like to make another with some twists and stuff. Inlay on the socket would be cool too but I only have so much patience! wrought socket and core, wrought and mild teeth, en42j and 15N20 edge.
    12 points
  15. It only took 5-6 years. The blade is a two-core interrupted twist. The handle is sea cow bone, the fittings are about 2lbs of silver with niello inlay, and there are two opals set into the sheath, which is the same from front to back. The stand is black walnut.
    12 points
  16. Hi all! After a long time I signed there because I made new knife which is available. It is small knife overall lenght is 22,5 cm, blade 10 cm and handle 12,5. Welded blade is forged from old, broken springs of agriculture machine and from the bearings. These springs I found unders old oaks on Kovalovec meadows. Guard is from patinated bronze and on handle is small patch of cow bone, which I found on the way to the Skalica hills. Last part I bought from my friend and it is Palisander Honduras burl wood. Hand sewn scandinavian type sheath with leather inserts in the b
    12 points
  17. Here's my latest... a custom order that when I drew options for the client, I labelled "insane" as it was an exercise more than anything in taking lines to an extreme. I was a little taken aback when he chose the drawing to proceed with. It has a 15" blade, is 20-3/4" in overall length, and the blade is 2.25" max width at the harpoon apex. It features a 9 bar pattern-weld blade, in turkish/serpents composite with explosion pattern bars for the clip and dropped edge. Completing the package are a 954 aluminum bronze guard, sculpted grenadilla handle, and 954 bronze nut for the through ta
    12 points
  18. My latest Jarn Hond single edged viking sword....Hope you like it. I have been playing with replicating inlay (which i do not have the skill or patients for) with patternweld which I guess I do!
    11 points
  19. Still futzing with this one that I've been working on for the past few days as a distraction from the basket hilt that's breaking me (hopefully more on that front soon...). 1095 blade, hammered copper habaki, brass seppas, bog oak fuchi and kashira, stained and lacquered poplar burl tsuka, buffalo horn mekugi, stained elm saya sealed with shellac. Still got to play with the polish a bit and maybe make some menuki. And I still need to buy a new camera, but my car's in the shop, and it'll be another week before I find out how poor I am... let me know what yo
    11 points
  20. WARNING!! There may be just a tiny bit of bragging in this post. My 17yo son just came out to the shop and showed me his SAT scores. 1530 out of 1600! Puts him in the 99th percentile of all SAT takers! After almost losing him several times last year (Teenage depression is no joke. My wife and I both agree that 2020 has been a cakewalk compared to the hell we went through in 2019). To see him apply himself and come through it like this has been amazing. His experiences are driving him to go to school and become a psychiatrist so that he can help people deal with their issues
    11 points
  21. Well the blade part is finished. A lot of firsts for me but that is what its all about. I will make a scabbard for this one next. Anyhow I decided to take the above words of Bjorn into account and while I was originally thinking of some elaborate decorations as the build progressed the blade spoke and I decided to keep it plain. The story could have possibly unfolded like this...... once upon a time in a land far far away.... There lived a Hobbit. He was an uncommonly adventurous type and on one of his mushroom gathering excursions to the farthes
    11 points
  22. When I first got interested in mustard patinas, I asked around how it was done and the answer I got was "you put mustard on the blade". While I understand it meant there was no wrong ways to do it, I was hoping for a bit more details . Now that I've done a few patinas and had A LOT of requests on how I get this stonewashed look, I'm going to give you the details in this short tutorial. This bladesport'ish blade was not intended to have a patina but it was the only one I had around that's large enough for a good demo. In case you wondered, it is 80CrV2 steel. This patina will work p
    11 points
  23. Finished another folder. Little bitty bugger, 2.5" / 63mm closed, 4.5" / 112mm open. O-1, brass liners, nickel silver bolsters and pins, ebony scales. Still needs an edge and some cleanup, but it's assembled.
    11 points
  24. Hello everyone, The last month or so I have been working on a Damascus hunting knife with a stabilized beech handle. Since I am taking pictures for my Instagram account anyway, I figured it would be nice to post this on the ‘’old fashioned’’ forums as well. For this hunting knife I am going for a more traditional design than I would normally do, this is a ‘’simple’’ drop point hunter with a guard and hopefully a takedown handle. On this knife I really want to focus on my fit and finish, normally one of my weaker points in knifemaking. As I normally make historic
    11 points
  25. Just finished this up. I'll try and get proper pics and say more about it at the weekend, but It's 1075+Cr, bogoak, steel, copper and silver: let me know what you think...
    11 points
  26. Finished this just this afternoon. Haven't put an edge on it yet, but just couldn't wait to show it off! Time for critiques.
    11 points
  27. My latest... I tried a lot of new stuff on it, which mostly worked out. I tried hard to minimize struggling edges... 15" dagger, midrib blade in Zanjir multibar pattern weld with turkish cores and explosion edges. Ball guard and wheel pommel in low layer pattern weld. Grip in "cage of bars" style with twisted pattern bars over leather wrapped walnut core, based an ancient hand and a half sword of Oakshotte XV typology. Through-tang peened construction with two-piece ferrules and peen block of parkerized iron. 21.5" overall, 1 lb. 8 oz. in weight. Pics and a vid... hope you li
    11 points
  28. As the title suggests, here is a variation on a theme. People like what they like, and it seems I have a few knives that people really like. That's fine, I enjoy making them, and I still exercise a little bit of creativity in each one. Although I totally forgot to put my makers mark on this knife, which pisses me off, but you know, it could be worse. It's really not hard to tell it is something I made... Anyhow, it is made from Aldo's 1075, which I really dig. Beaten copper, and a gorgeous piece of Desert Ironwood to finish it off. I wish pictures could do the wood justice. It glow
    11 points
  29. This was a very pleasant commission to work on for me. I could practice a little more of inlaying and the results got better than i could anticipate, even if I have much to evolve in this art. The blade was mostly done by stock removal, but the tip and the tang were forged prior to the grinding. It was made using 1070 steel. The hilt is of a variation of Petersen's type L and it's components are made in mild steel and the inlays are nickel silver. The twisted wires are also nickel silver. It was then oil coated and lightly heated to make it look darker, so the contrast with the coope
    11 points
  30. Sorry man. Locking this thread. This ain't a politics forum. It's a forum for makers who meet on the accorded neutral ground of creativity and craftsmanship. We leave our politics and flame wars at the door on the way in. Our founder, Don Fogg, set this tone from the beginning and we maintain that position. Cheers, Dave
    11 points
  31. Last year I did a set of three skinners for a customer and he immediately ordered three more. Apologies for the pathetic photography, but here's what I came up with: I used 1084, bone slabs with G-10 liners, and brass pins. 600 grit finish. Sheaths were hand sewn, stained with iron acetate, sealed with bee's wax. This is not my preferred style of knife, but this is probably the best fit & finish I have pulled off to date. The whole duplication thing is not really so
    10 points
  32. 1080/ 15N20 crushed W's eyed with Stainless fittings and maroon micarta scales.
    10 points
  33. Howdy, folks. Been a busy, productive year, and not as much time has been spent on forums as I used to. But I have had a couple of interesting projects I wanted to share. They are the two largest carcass splitters I've made so far, one completed in February and one in August. The first was a commission from a chef who owns multiple restaurants who wanted as large a carcass splitter as I could make as a gift for a friend of his. The second was a commission from a fellow who butchers a lot of hogs. Both started out as bars of 5/16" x 4" 80CrV2 steel, and both ended up with hemp cord ov
    10 points
  34. Antiquity and Early Middle Ages, axes. Four of the engravings are forged from old-welded iron.
    10 points
  35. Finished this today. 10.5 inch blade forged from a 7 layer billet of bandsaw blade, horseshoe rasp and center core of chainsaw bar that hardened nicely. Guard is a scrap of 300 layer, spacer blade material, and buttcap an endcut from a radial pattern billet I made forever ago. Handle African blackwood. Through tang construction with a nut welded underside the buttcap to squeeze it all together. Had to try fullers after seeing Jason Knight grind them into an apocalypse tanto in one of his recent youtube videos. Thanks for looking, Clint
    10 points
  36. I've been working on a pipe tomahawk head and finished up the filing on Sunday. After taking the last few strokes with a 3" needle file, and seeing the 16" mill bastard next to it, I thought it would be of interest to some to see the results of drawfiling the way I do, the end result, and every single file I used on the project. First, drawfiling. For hawk heads, there's really not a good way to finish them totally on the grinder because of all the odd curves and stepped lines. Well, maybe if I had a small wheel attachment, but not as I am currently set up. I forge to shape, remove th
    10 points
  37. I'm on day 27 of not leaving my property. Thank god I've got a blade project to putter with. Here is a blade I just finished grinding/etching. I started it up in Alaska last Summer and mailed it down to FL for the post heat treat work. Standard 1095/15n20 mix. Twisted crushed W's make up the alternating bars under the fuller. Edge bar is a san-mai type w/ a 1000 layer core and 200 layer wrapping. Some highlight stripes between the bars. More when the fittings and grip are applied. I'm not going to rush, however. It's the only blade I have to work on, so o
    10 points
  38. I have made a few of these recently with riveted pivots but getting the action right is very tricky, so I have used a threaded pivot pin and nylon washers which has made a world of difference. Smooth as silk now. The blade is approx 3" and about 6 1/2" overall.
    10 points
  39. Hello: Here is the first sword I finished in 2020...The blade is 1070..the Hamon.. well, I dunno what to call it... Togari Gunome maybe?? finished with temple lion motif fittings from my art foundry guys in Taiwan..They do a great job..yes they do!! Much better than an old ham handed reprobate like I could do..... Black samegawa under that black and gold Chevron Tsuka-ito that I adore.. This is another proto for book IV which is coming along splendidly even if I do say so myself.. The siya is black lacquer that I dripped/ "flicked" Testors model airplane paint (m
    10 points
  40. I wanted to make a very traditional folder, something as traditional as quaffing mead, boar hunting, getting into a long boat and raiding the coastlines of Europe. So I designed and made a pocket seax. This is the second one, the first had the thicker, more rounded handle of a fixed blade seax, so I decided to trim the handle down while retaining a bit of a rise towards the end. This one is 4" long from bolster to the end of the lanyard loop. I am thinking of doing a smaller, 3 1/2" version as well. SAE1070 blade and spring, Brass bolsters and liners, p
    10 points
  41. How to Carve Netsuke and Miniature Sculpture: Free PDF Download This is a link to a detailed 361 page instruction book on how to carve netsuke and miniature sculpture. The file is in Adobe Acrobat PDF format.

It requires Adobe Acrobat Reader http://sterlingsculptures.com/wp/wp-content/uploads/2012/01/Carving_Netsuke.pdf
    10 points
  42. Hello: Been sorta busy around here with family stuff since we have a brand new granddaughter so this is something I whipped out real quick.. This one is welded from a mix of 1095, L-6 and a bit of meteoric iron thrown in ..8 1/4" Maiden Hair blade...Phosphor bronze mounts...Some of that bowling ball material for the fluted grip..This piece looks like a deep reddish maple burl! Turned out OK...at least I think so... The sheath is set with a 17.65 Ct star ruby.. cut this one myself.. All in all I think it didn't turn out too bad.. Hope the photos work... This one is website
    10 points
  43. This is the latest collaboration sword from myself Petr Florianek . We wanted to make another fantasy sword yet at the same time keeping a firm grip on reality. This a very much a “real” sword but also a dragon slaying hero’s sword! The sword blade takes inspiration from early Saxon blades, marrying that history into Tolkien’s middle earth and the world of the Rohirrim horse lords. The blade was made by myself and the handle and scabbard are Petr’s work. The blade takes inspiration from early Saxon patternwelded blades and has a lenticular section
    10 points
  44. Hunter , 1095, brass, leather, deer antler, total length 25.5 cm blade 13 cm.
    10 points
  45. It seems Brian and I both had the idea to follow Steve Culver's instruction book on how to built a slipjoint folder without making patterns first. Like Brian, I know this is not going to be my last one! This one is bound for Knife in the Hat, and I will use what I learned making it to make the next one even better. Specs: Blade and backspring, 3/32" precision ground O-1 flat bar Brass liners with Nickel Silver bolsters and pins. Jigged bone scales from Culpepper & Co., Amber dyed, Catalina pattern. Open length 5 7/8" / 147mm,
    10 points
  46. Don gave me this blade five or six years ago and said, "Make something beautiful with it". Hmm, ok, so it rumbled around in my mind until last fall. It was a slow process figuring out the transition, theme and all the details, but I think it came good in the end. I didn't find out until it was almost finished that it was Don's last patterned blade. I knew it had to be one of the last, but THE last. I'm glad I didn't know as I was working on it. Below is a little of what I've written. More to be read here: Kelso Journal And a slide show with more photos here: Fogg/Kelso
    10 points
  47. Let me present Roðinn Hrafn - the Red or "Bloodstained Raven". Blade in folded and twisted railroad steel, in a san-mai lamination with Øberg steel for the core. Handle in stabilized Maple, with Holly for the core, copper, brass and vulcanized fiber. The Holly is engraved with Elder Futhark runes - written in old Norse - and filled with ashes. Any and all critique, is ... as always - most welcome. :) Sincerely, Alveprins.
    10 points
  48. Hey everyone! I finished this piece a few days ago, so I took some photos and thought I would share! This began as a small billet for a demo at NESM for their annual hammer in, and upon finishing the blade a client signed onto the project, so I designed the hilt and we went from there! I still have to make the sheath, and when it's done I'll update this thread. The blade is seven bars of pattern weld, wrought iron on the spine, four twisted bars, more wrought iron, and then an edge of ~400 layers. The handle is moose antler, bog oak, silver, wrought iron, and rubies. I guess I'll
    10 points
  49. I apologize again for my relative absence, I try to remember to post here but since I know so many of you outside the forum now, I tend to forget I'm sure many of you have already read this and seen the pictures, but for my friends here who aren't on Facebook or Instagram, here you go I've taken the time to focus on improving my knowledge and skills this past month of September, trying to achieve some things I've never been able to do before. This started by spending an entire week in New Hampshire at Zack Jonas's shop as a student of the one and only Peter Johnsson. That wee
    10 points
  50. 10 points
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