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Showing content with the highest reputation since 11/26/2020 in Posts

  1. I got the photo proof back yesterday from Whetstone studio of my full set. Some of these you have likely seen already. These are the five that were in the judging room
    17 points
  2. A few weeks ago a kid (I say kid, college senior doing an honors thesis, probably 21 or so ) came to my local guild meeting to ask if anyone could help him with a sword. His honors thesis involves hand-making everything that appears in a portrait of a Scots nobleman of the mid-18th century. He's already made the shoes and belts, woven the fabric for the hose and jacket, made the hat, and all sorts of other things. Since he also makes flintlock rifles by hand, and as such proved he's no idiot, I agreed to see what he could do with the equipment I have that he needed to help with the sword bla
    16 points
  3. Hi Guys It's been an age since I've posted on here. I hope everyone one is well and navigating these very strange times that we find ourselves in at the moment. This is the latest Bowie to exit the shop and I hope you enjoy looking over her. All comments and critique always welcome. All the best Steve The blade for this D-guard Bowie is made from W-1 high carbon tool steel. The blade is 283mm long, 44mm wide and just over 5mm thick on the spine which has vine file work along its edge. There's a clay quenched temper line along its cutting edge and
    16 points
  4. This is the other knife I got out of the damascus San Mai billet. My forging was considerably better on this one, but the bevel grinding less so. It's got a 4" blade and a 4 1/2" handle. The handle is brass, desert ironwood, and deer antler. It has the one and only gut hook I hope to ever make, and it is functional only thanks to the gentleman on this forum. This is one of those projects that I am happy to see done. However, critiques are still more than welcomed.
    15 points
  5. Hi everyone, I just finished a tanto I had been working on for the last 3 weeks . The blade is W2, uchi-sori with a 7 1/2" nagasa, and the fittings are copper with shibuichi inlays. Here are the photos of the build: Profiling: Hardening: Polished: Now for the part that's really time consuming, the fittings: For this blade, I decided on a ginkgo leaf theme, a symbol of pe
    15 points
  6. Howdy.. Well it has been an interesting last bit...took a bit of maneuvering , wheeling/dealing and being creative to stay afloat with minimal (if any) studio time but now that things have turned around and orders are once again coming in..I am BACK!! I did get some serious writing done on book IV as well as figure out how to get a bigger chuck of that wavy feather pattern I have been worklng on..here is the reult of one blade for the cover photo of book IV.. I am keeping this one for myself. 31" blade, double fullers, file worked spine..(wore out 3 files do
    15 points
  7. I made this about 8 years ago, inspired by the Coleridge poem, but never got it finished 'til now, after someone wanted to buy it. let me know what you think...
    14 points
  8. I'm still alive... and still hammering them out. Although, more so for pleasure than for business these days. Much more enjoyable that way for me! Here's a little hunter that I finished up that's going to a good home. Another knife which I wish I could have kept. Thanks for looking folks and hope all are doing well.
    13 points
  9. Finished this knife after 3 years ....forged the blade in 2018. Steel is 15n20, UHB 20 and a slice of O2 ....edge is 1.2419. Handle is G10, Micarta and amboina.
    13 points
  10. 1080 / 15n20 Damascus by maker with Turkish Walnut handle and stainless fittings .
    13 points
  11. This one of my more interesting (at least to me) recent projects. It's a gift for someone who was born and raised on a farm in (then) Czechoslovakia in the first half of the 20th century which got me into learning about some of the knife styles from the area throughout history. I settled on the Pastiersky Nož (shepherd's knife), which in silhouette looks pretty standard but is adorned with ornate tin alloy decorations. I had previously seen these on knives from Siberia and Finland but didn't quite get how they were made. Luckily, I personally know a number of native Slovak (an by extension mor
    12 points
  12. It's been what, 3.5 years since I first posted here, working with a file jig? And now I'm being published in Blade. This is crazy... And mostly because of this forum. The knife pictured was supposed to be in the KITH and I couldn't finish it in time. Thanks to everyone here who took the time to answer my questions with patience and respect.
    12 points
  13. Just got these finished up. Clay hardened 1095 with filework and mustard etch, and a baked oil finish. Carved bog oak handles, with antler bolsters and pommels. Bog oak sheaths with leather throats, and copper clips for antler handled ferro rod fire steels. Commercial boxes with fitted foam lining. Went a little more rustic than usual, but I think I like them... Let me know what you think...
    12 points
  14. Hey everyone! Here's a project I'm nearly finished with! I started messing around with some ideas for a small wolf tooth fire striker. This is the prototype, with teeth about the same size as the ring I made a while ago. Made from iron and folded steel. Next one will be in my own home made materials. IMG_0745.MOV Around the time I finished it up I got a mail call! An original wolf tooth spear that I cleaned and etched and sealed. I started to reverse engineer the construction of the spear based on other examples I had seen and
    12 points
  15. Hi everyone. When I was a teen there was an illustration in a Dungeons and Dragons book of a sword that was shooting a lightening bolt, or energy, or something. The drawing showed the sword encased in wavy, crackling energy or magic or something. Here is my attempt to capture that feeling in pattern weld. Minor inclusion near the base of the blade, but . . . meh . . . still looks okay. This is an Oakeshott XII blade, copied pretty exactly from Peter Johnsson's design. I haven't come up with a hilting plan for it yet. Probably bronze fittings and carved black
    12 points
  16. Hey everyone! I want to acknowledge right away that what I'm doing here is questionable and very much non-traditional. In truth, I'm not quite ready for the challenge of a traditional blade made in a traditional way, but I hope to get there someday. This project aims at taking what I learned from a wakizashi I made last year and attempting to 1) not make the same mistakes again (only new ones are allowed!), 2) improve on the technique I've been learning and developing for this particular style of blade, while 3) also aiming for a greater challenge. This katana's constru
    12 points
  17. This one was ordered by a friend's mother as a 40th birthday present for him. He's an ex recce sniper and a wilderness guide, so I inlayed some spent .308 brass in the handle (I wanted to use .337, but I don't shoot long guns, and could only buy them by the 100, which would have cost about as much as the knife. But .308 is the classic British Military sniper round, and Highland stalking round, so it's all good...) and used .22 and .22 magnum for the lanyard hole liner. 1095 blade, clay hardened with fileworked tang. Red deer antler scales, with copper pins. The lanyard is made of a fairly stil
    12 points
  18. I recently finished something that would be nice to show here. I actually started this knife in june last year, this is the longest I've ever worked on anything. I actually started as a relaxing blade to make for myself between commission work, but it fought me every step of the way, and turned out to be super difficult to make the way I envisioned. As I was finally making some good progress I decided to move out of my parents house and go live on my own, it is super exciting but left me with little time to work on knives. Sadly I can't forge at my own place,
    12 points
  19. The blade here was made from six bars of irregular layers of 1080 & 15N20. The two in the center were twisted less(both left & right handed) than the top & bottom pairs, stacked and then welded like a Merovingian or Turkish pattern. I think that it gave it a very distinct and unique pattern. The handle scales are mastodon with fittings of 416 & some diagonally coin edged nickel silver with a guard forged from a bar of A36 & hot blued in 500 degree salts.
    12 points
  20. A friend called me and said he had an anvil for me. I am so very grateful but I do wish it was just a bit bigger!
    12 points
  21. Howdy... Been slowly trying to recover from all this covid infringements on my supplies and materials... so decided to get my mind cleared of all the stuff that has happened ion 2020...Wanted to make a Bowie and well..it didn't turn out quite the way I intended.. This is what happens when my feeble old mind starts to wander off... 19" recurved blade, in a feather pattern, welded in 1070 and L-6 with some meteoric iron thrown in just because I can.. Twin fullers (which are not all that much fun to forge in on a recurve..I tell ya that..) Forged phosphor bronze mounts
    12 points
  22. Copy of Chinese Qianlong period sabre. Blade is from hand smelted titano-magnetite. Japanese construction and hamon with Sankrit and Manchurian script carving. Scabbard is sectional veneer overlay in three woods with lacquer finish. Mounts are gold plated brass, hand pierced and carved. Hilt is New Zealand nephrite jade. Sole authorship work. Wouldn't make another one ;-) (Don't laugh at the stand. It's just my workshop, jury-rigged go-to )
    12 points
  23. I decided to forge the longest early-medieval spearhead ever found in Poland. Its original find was found in the Lednica lake in 1961. It has a octagonal socket. The blade is pattern-welded (four twist bars on each side). To forge it I used 19 cent. wrought iron and steel. It took 6 full day work days and. I used 120 kg of coke. here you can find complete cataloque of spears from Lednica lake: http://studialednickie.pl/wiadomosci/biblioteka-studiow-lednickich/66096ae1c4bcf6d985f3fd81714fdd9a.pdf
    12 points
  24. Just finished this small narrow sax. Wrought iron and silver steel for the blade, box wood bolster and bog oak handle, carved with a bind rune for the recipient and a geometric border. Riveted copper draw ring with bronze bail. Tooled leather sheath with copper and bronze fittings. let me know what you think.
    11 points
  25. It’s been a long time since I posted anything this is the latest off my bench FullSizeRender.mov
    11 points
  26. Forging a copper rose pommel for a misericorde I'm working on. Also going to try and make a couple of tiny ones for the ends of the quillions...
    11 points
  27. Hi guys, I recently posted a preview of a blade I have been working on, and I have now finally been able to finish the complete knife - sheath not included... thought I'd give a bit of a new preview of the whole thing. All inlay in both handle, bolster and blade are 24 karat gold wire, 0,7mm in thickness. Bolster is in meteorite iron - which is nerve wrecking to work with when doing inlay. Some areas are more fragile than others, and if you look closely at the "R" - you'll see the outline of a
    11 points
  28. Just finished the gold inlay on this new blade - belonging to the future knife "Fornkili" - old norse for "Old Wedge". It is forged in a san-mai lamination out of an antique mountain wedge used in the Kongsberg Silver Mines - with a core of folded and twisted sawblade steel and 15n20. Proceeding with work on the handle. Very excited... Sincerely, Alveprins.
    11 points
  29. Finished this commissioned piece the other day. Blade 11" long feather pattern of 1084/15N20. Guard made of railroad spike, 15N20 and couple end pieces of damascus. Handle stabilized redwood with centre core of mahogany that had some personal meaning for the customer. Was a challenge in may ways for me! Clint
    11 points
  30. To All, I haven’t and usually don’t post stuff, seldom do WIP photos or videos but everyone else is. So I need to get out of my shell I guess. Since last spring, I’ve made improvements to my tools, (what little I have), made some fortunate knife sales to generate cash for supplies and of course make knives. This Puukko is a heftier version of what I like to do…….. more of a hunting knife than one for EDC. With a rhomboid blade, no tang & with the guard 1/2” thick, it’s really difficult to drill out a hole to insert the tang and maintain a flush, clean finish blade to guard. So
    11 points
  31. Just put this one together - another facebook makers challenge that got out of hand: clay hardened 1095 blade - I haven't measured it but it's about 8", and thin, not much over 1/8th", with a false edge on one side. Wrought iron bolster and mild steel guard, with mild steel and nickel silver spacers. the steel has been oil-blued, and the ns is sculpted and polished. Oil-blued steel pommel plate with carved mammoth ivory panels. Macassar ebony handle carved with high relief knotwork, with steel pins. Scabbard is laminated millboard covered in lambskin, wi
    10 points
  32. Hello, I would like to introduce myself and especially my work here. My name is Jiri and I come from Czech Republic and I am interested in forging and other related crafts for a long time (maybe since i was 12 years old…now i am 25 :D). My work became presentable (I hope) since covid times, when i had plenty of time to practice. I enjoy making knives/ other things inspired by history and fantasy stories (mostly Lord of the rings). First thing i want to introduce, is my Rohirrim set which consists of small utility knife and bigger broken-back seax. The small one is the first knife where i
    10 points
  33. I'm working on these two machines at the moment! they are just so pretty I thought they should get their own thread! The 2 cwt is my personal hammer, now rebuilt after the fire. The 1 cwt is off to a customer. In the UK both of these machines are regarded as 'Rolls Royce' Not often you see them side by side in nice condition They are both ready for testing next week. Busy busy!
    10 points
  34. Walrus tusk with and Ebony insert, stainless fitting, 1080 / 15N20 stretched crushed W's pattern. +
    10 points
  35. Just got this one finished. Antler, bog oak, copper and 1095: let me know what you think...
    10 points
  36. Blade forged from 1080 / 15N20 ,crushed W's pattern, then stretched. Masur Birch handle with stainless fittings.
    10 points
  37. This title may surprise some of you, coming from me as it is with my constant emphasis on learning to grind freehand. And I still think freehand is the best way to do large blades, and the only way to do certain complex historical grinds. Folders, however, are another story. They have to be precise, and it's darned near impossible to grind folder blades while holding them in hand, since they have extremely short tangs and get too hot to hold very fast. I was bumbling along with a make-do extended handle thing (basically clamping the little blades to a chunk of 1x3/8 flat bar),
    10 points
  38. Coffee etch and a little oil.. very happy with it. My grinder finally broke down so no handle or any more knives for a while, but there’s an ameribrade 2x72 coming soon.
    10 points
  39. 420 SS / 52100 San Mai with stainless fittings and Maple burl handle.
    10 points
  40. Hi everyone... Previously I posted a little sneak peek at something I was working on.. Well, now that little something has come to completion - and I'm ready to share it with those who might be interested at having a look. I've always wanted to give it a shot at a dagger - since this blade geometry has fascinated me ever since I was a kid... And without further ado, after 170 work hours - I give you Vegvisar - the Pathfinder! I have forged this dagger in honor of the four dwarves, Norðri, Suðri, Austri and Vestri - supporting the heavenly dome
    10 points
  41. 3 is the number thou shalt count! been busy with some wildlife photography But made these for a friend just because I can...
    10 points
  42. This is a curved fireplace screen I started when I was in school, about 10 or 12 years ago. I was reorganizing my shop and got tired of the unfinished pieces laying on the floor, so I started working on it again when I refilled my oxygen bottle. I figured I'd share the large, non knife related project I've been spending time on. The scrolls are forged flat, then bent and twisted on a form to ensure that they curve consistently over the entire piece. I have a bit more tweaking and some small pieces to do before assembly.
    10 points
  43. Managed to finish this along with some other stuff this weekend! I start with paper templates to get the shape of the shape sorted out. When you bend the paper over, you can use your finger to crease the paper and cut it to shape. The 'staples' are made from pattern wire sheet that I cut and trim, then bend over a form. These get some gentle hammering with a plastic jewelry hammer with some leather or shop towel in between the silver and the hammer. This cinches the staples firmly around the leather. I do them one at a time so I can drill and peen the rivet with
    10 points
  44. I had a small piece of low layer count 1095/15N20 leftover from a knife I made years ago. I squared it up, twisted it, and forged this scissors. My scissors usually have a cutting edge welded onto a mild steel body, so this one presented some problems for me. It took a lot of force to align the blades. I tried to keep the shanks out of the quench, but I don't think I was entirely successful. I sharpened the blades before etching, but the edge is pretty rough after. I decided to post pictures of it like this because it shows the contact point between the two blades. There's a bright
    9 points
  45. 9 points
  46. Hi All, just finished another bone handled Sgian Dubh capped with Sterling Silver fittings and a blood stone set in the pommel. Total length 20 cm, blade 10.5 cm. Pattern welded blade approx 400 layers. Leather scabbard also with Sterling Silver fittings.
    9 points
  47. Alright, so... better late than never... Let me present "Odal" - the Heritage knife. Details on the blade can be found in my previous post HERE. Handle is in walnut, supplied by customer - treated with oil - also provided by customer (he makes his own). I decided to attempt to further develop both my drawing skill as well as engraving - so I sketched up a Urnes inspired dragon on my pad and put one on each side of the bolster. The back cap (or whatever it is called) on the handle is in the same steel as the blade. I've also done some inlay on this
    9 points
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