Robert Burns

This is such a great thread. The first knife is when I started back in 2010: and the second is one that I made I believe four years ago of which I am still very proud. The last knife is one of my most recent but personally most significant.

Thank you everyone for your comments. Joshua that's a very cool concept. I would love to see that if you have photos. You are correct there are six hidden pins within the handle plus the visible pin.

Ledus (Lay-dus: Latvian for ice) This bowie was a commission that was inspired by my La Brea Bowie from a few years ago. I think the new one came out quite well, what do you think? Specs: Blade Length: 12 inches Overall Length: 17.5 inches Guard, Spacer, and Frame: Shibuichi Liners: silver Pin: silver Handle: stabilized blue maple burl For those of you more knowledgeable on knife history I am trying to find out if anyone has used shibuichi to make a frame on a bowie before. The frame, guard, and spacer were all carved in wax and cast. I d

I thought I might share a recent collaboration I did with Matthew Berry. If you are unfamiliar with his work he makes absolutely wonderful European swords and other historical blades. Matt and I wanted to do something that was totally outside of either of our wheel houses and I think it came together beautifully. I was responsible for the blade with a tight Turkish twist damascus, Matt did the the all of the bronze work and gem setting, and I did the final shaping and finishing on the fossil ivory handle. What do you think? -Robert

Thanks Doug, the handle is Minnesota birch burl, a birch bark spacer, and water buffalo horn for the rest.

Thanks guys for all of the kind comments. Gary, this is 1084/15n20 done with a coffee etch.

It's been forever since I posted, but I am still forging. I wanted to share my first attempt at a mosaic pattern. I have two more large bowies I was able to get out of the billet, but this was the first knife I forged from that bar of steel. What do you think?

Thanks for all of the kind comments guys, over all I'm pretty happy with how it came together and how all the textures worked. What wasn't fun was when I was working on the scales and had to use double the ivory because I was a moron ;P

I thought I might share a recent build of mine, this has been a side project for the past month or so in between paid work. Let me know what you think! Specs: Overall length 18 inches Blade: wrought iron over 1084/15n20 damascus Hardware and pins: bronze Handle: fossil mammoth ivory This is off to get a Paul Long sheath here shortly. What do you think? Thanks for looking!

Geoff, nice photos, I' curious about the push dagger construction for how the blade attaches to the handle. Is it a through tang?

For those of you that followed the build I wanted to share the final photos that just came in today. Thanks for looking! And the other side of the handle: Thank you everyone for following along on this build and Happy Halloween!

Well the final photos just got in from Caleb and I think he really did the piece justice. Here she is finally done and just in time for Halloween. And the other side of the handle: Thank you everyone for following along on this build and Happy Halloween!

Here is one I just finished up. This is part of my "relic" series of knives and features damascus and brass. Pricing includes sheath. Please send a private message for additional questions. First I'll take it gets it. Specs: Steel: 1084/15n20 Blade length: 3.75" Blade width: 1.125 Handle length: 4.5" Height between blade and end of handle: 2.25" Sheath: horizontal carry Construction: The tang of the push dagger is peened directly into the brass handle and the damascus is riveted to the brass via two 1/8 inch thick brass rivets. Accepted pa

Thanks for the comment Alan, it actually sparked much of the design of this knife. I was at a local gem show looking for fossil ivory and came across a handful of these beautiful stones, once purchase I ran home to begin designing. Now today is nearly the last day in a mountain of work to get this knife done. In my eagerness to finish I did not document the process as well as I could have, but hopefully it will make sense. First thing I had to do was stitch the sheath together and trim the edges. Now with the structural sheath done I have to start on the frog

Thanks guys I appreciate the comments, I'm glad you are enjoying the thread. Here is today's progress. Today was mostly about the sheath but I also wanted to finish darkening the background of the carving with the charcoal and oil mixture I talked about earlier. It wasn't getting the results I wanted (I believe because the ivory is so dense or the charcoal powder wasn't fine enough) so I opted for a leather dye and this worked very well. Then I had to practice stone setting. The plan is to place some blood red T-rex shin bone as the broach for the sheath. This i