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Wesley Alberson

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Everything posted by Wesley Alberson

  1. 1. Jaron Martindale 2. Bob Ouellette 3. Aiden Carley-Clopton 4. Alan Longmire 5. Geoff Keyes 6. Conan Dunlap 7. Jeremy Blohm 8. Ron Horton 9. Wes Alberson
  2. I screw the boards to my workbench table, just diagonal screws will do. There is a scraper I made from a piece of curved leaf spring, just a 30 degree or so bevel keeping one side flat. It looks like a giant version of what you would use to carve the inside of a Japanese scabbard. I just keep a 120 grit belt on my grinder to keep it sharp and go to town. The edge will shear the pins, components, and everything without digging into the fiberglass board, and it leaves behind the solder in the holes so it polishes up really shiny. Once both sides are done I clean all surfaces with acetone, drill small holes in the corners, and tie 4-layer "booklets" together. Spread some System Three T88 epoxy on each layer that will be stuck together, layer the booklets in some parchment paper, put a foam mat on top, and all the cinder blocks you can muster. Once it has cured for a day the parchment comes right off and it is nicely solid.
  3. A Nakiri with sheoak handle and burl spacers. CrV2 and concrete saw blade. A slicer with Mango, Sheoak, and Bog Oak. CrV2, concrete saw blade, and wrought. Another slicer with Bog Oak and Tigress GCarta. CrV2 and concrete saw blade. The trio: I'm not sure if video links work, but these are the handles before I glued them. Hidden dowel method. https://i.imgur.com/zAJTuTd.mp4 Some ECarta I made recently. My favorite is on the left, from an old power supply. Mark Green at the smelt at the last Big Blu meet. It looked like it came out well. We did the old spicy pepper sacrifice ritual.
  4. In October 2020 I finished up this gate project with an automatic opening system, lights, the whole shebang. It was nerve racking that I couldn't stage anything before setting it in place. I made sure to measure everything thrice and rig up the anchors so they were in the right spot when the footings were poured. The leaves are made from old boiler pipe sections from an old industrial laundry factory that was in Durham, NC. It's been over 2 years since I last posted to the forum, so this is a long overdue update on what I've been up to. A friction folder/hoof pick combo for a professional horseback rider Some kitchen knives, I use the dowel construction method which makes it very easy to fit it up and get the composition I want. San mai of 1095 and some sort of saw blade for the jacket Blade forged from Pokemon corner cutter die, probably D2 or the like. Complete pain to forge alloy banding My favorite so far, called "Dino". 80CrV2 Cleavers made from leaf spring and phenolic handles. Stainless clad 1095 and home made circuit board handle with carbon fiber pins The circuit board handle material in question. I sold some to my friends and they did a better job finishing it than I did. Silverthorn Knife & Tool's work Leucadia custom knives work Full tang in snakewood for a beekeeper My Queen, may she rest in peace. Hopefully I'll learn from my mistakes and manage my colony better next time Forging a piece of thermite excess from the process for fusing railroad track Thermite steel turned out to spark high carbon and made a good knife Pic says it all. The best power hammer attachment for making knives. It works like a Japanese die set with a larger flat die on bottom This became mine. 2 tone cocobolo handle. Big ol kukri thing, phenolic handle Finally made sheaths for these two.
  5. Are there any other makers doing custom knives for people with MS/other motor disabilities? The mass-produced ones I've seen look boring, and this is inspiring me to make some!
  6. Correct. They are a little convex. I start with a jig that I made for getting most of the material at the edge removed. I forged these thin enough that I was able to heat treat them before grinding the bevel. I use a jig because that keeps me from slipping and accidentally getting 36 grit gouges on the forge finished part. With the bevels flat ground most of the way, I then use higher grit belts freehand because the bevel is already established. I grind at an angle on the platen, and with the nature of freehand grinding, it's pretty much impossible to get a perfect flat grind.
  7. And also a cool little bamboo stand I made for my kitchen knives. The bottom one has become my personal knife. I bring it along to show customers how carbon steel will patina over time.
  8. It has been ages since I have posted here. I have been getting into local markets to sell some of my knives and other forged things, so I've been making some kitchen knives. They are much more popular than my utility knives and historical/fantasy stuff, although my folders sell well too. Most of the kitchen knives were forged from 1095. I got them really thin, too. I made these knives a bit too triangular, they were all from the same forging session. Usually there is more of a drop point quality to kitchen knives so the handle and edge are more parallel. The handles are all stabilized woods, micarta, and g10. My favorite handle combo so far was this circuit board spacer/micarta. The board is from old ATM boards, so the copper and solder bits are thicker, making it pop. I also got a scholarship from NCABANA to do a damascus class. I took one of Joe Szilaski's classes, it was a really fun trip to NY and back. A rusty rustic swiveling bistro set I made from some old farm stuff (not meant to stay outside) ... and a meme for y'all seax aficionados
  9. One detail that I left out of this write up is an experimental process. Now its always easier to make the face of the guard flat because when it hits one shoulder you know it hits the other. Lets say you want the face of the guard to have a certain look to it, like a chevron or a radius. You can punch the oversize hole, then make a second punch that matches the dimensions of the first, only the very end of the punch has the desired shape you want. When you deform the guard to make the smaller radius, it conforms to that shape. Essentially what this does is it makes the smaller radius all one thickness when fitting, so it all deforms at the same rate, and is easier to deform.
  10. I have never seen a full antler guard like this, very cool!
  11. Here is a write-up for a process I demonstrated at the SBA: Forged and Hot Fitted Knife Bolsters/Guards Wes Alberson It is a curse to be an impatient bladesmith. There are so many little processes in knifemaking that give a whole new meaning to tedium. One such process has been emphasized more and more in modern times, and that is guard fitting. The main purpose of bolsters and guards is to act as a surface for the handle material to rest against, giving the handle material extra support. Another function is to protect your hand from accidentally slipping onto the blade.. The accuracy of a guard fit has become an important part of bladesmithing because it makes the knife look neater overall, and having a tight seal around the blade keeps dirt and debris from getting in and causing rust. Using solder or JB Weld to close the gap is a good method, but not always the cleanest looking. It is best to get the fit as close as possible. The usual way to make a guard that fits a knife is to drill a series of holes that are slightly undersized, then file out the rest of the way until the guard fits. I have done that plenty of times, and the first time is just as tedious and hand-cramping as the last. Another way is to mill an oversize slot most of the way through and the last bit is filed and fitted. I made it my mission to find a way to fit a guard so that I would never have to touch a needle file again. Punching and drifting in the blacksmithing realm is preferred over drilling because you have less loss of material, and on top of that you can make the shape of the hole as complex as the punch. I have figured out a simple way to create a precision fit with thick stock without intense filing. The process begins with making a punch. This process is all about the punch. You can forge it out of spring steel, or any other high alloy steel you like. You need a punch that matches the width of the tang, but it needs to be thicker than the tang by a small amount. It needs to be slightly tapered to release the punch. For knives with plunge lines or a ricasso, a rectangular punch with rounded corners works well. For knives like puukko and historical seax knives that do not have a plunge line, you will need to make a triangular punch. This is because the shoulder at the spine is full thickness, and the shoulder at the edge is almost ground down to an edge. It is crucial to make sure that the tang of the blade is tapered. Most of my guards are hot drifted onto the shoulders of the blade, so I make the thickest part of the blade just past the shoulders. If the tang is not tapered, the guard fit will only be as close as the thickest part of the tang. All the corners of the tang should be chamfered, too. For metals that are easily worked hot like steel or copper, I like to punch a hole through hot. For metals that are trickier like brass or aluminum, I drill holes that remove most of the material that is in the way of the punch, then I drive the punch right through to break away the “web” between the holes. Now at this point, the guard can slide up all the way to the shoulders, and there is still a considerable gap on each side. We can remedy this situation by inserting the punch almost all the way through the bolster, leaving about a 1/8” or smaller gap. This leaves an area of the guard that is not supported by the punch, so with the punch in, focus hammer blows at a slight angle over the unsupported area so that it deforms, and hammer evenly on both sides. I have found that it is harder to deform the areas closer to the shoulders, so focus hammer blows there, preferably with the round side of a rounding hammer. The face of the bolster should be smaller but not completely closed, and the punch should keep the rest of the bolster oversized to the tang. The face of the bolster can be ground down or left at its rough finish state if that’s the look you’re going for. At this point, you could break out the files and fit your guard, but I don’t have time for that. Instead, I like to make the tapered tang do all the work. With the face of the guard slightly undersized, the very end of the tang can fit in, and I can hot or cold drift the bolster onto the knife. I do this with aluminum vise inserts and a piece of pipe used as a monkey tool. I set up the knife tang up in the vise with the aluminum inserts, leaving the shoulders higher than the jaws because it will get pushed down no matter how tight you make the vise. In the case of steel or stainless, I heat up the bolster to bright yellow, transfer to the knife, making sure it is in the right orientation, slide the monkey tool on, and get to hammering. In the first heat, I drift up to the shoulders, and in the second heat I drift onto the shoulders to make an impression in the bolster. For more malleable materials it can be done in one go. When hot fitting, getting the blade too hot is always a concern. I usually hot fit my guards before heat treating, but I have noticed that the temper colors don’t extend too far, probably because the aluminum acts as a heat sink. I could feasibly get the knife heat treated and finish ground, then hot fit the knife and be done with it. The aluminum will leave a couple marks, but no intense refinishing needed. When it comes to finishing these the order of processes can be rather tricky. If the knife is rough ground when the bolster is fitted, there will be gaps when it is finish ground. These gaps can be closed by squeezing in a vise with the knife in it, or in extreme cases re-inserting the punch, closing the gap further, and then refitting. Sometimes the guard is hard to fit back on the knife, so padding the vise jaws and the back of the bolster with leather will keep it from marring. There are also tools that allow you to slowly press fit the guard that use threads and nuts, much like a vise in reverse, and it doesn’t touch the blade at all. There are still a lot of things I have not tried out with this process, and I’m looking forward to seeing how others modify this process.
  12. I love that pattern, I think "resonance" would be a good name for it.
  13. Your ferrules give your knives a classy feel that you just don't get with integrals. All the materials are really balanced.
  14. These are stunning examples! Are there any tutorials on how to make an antler sheath? They look like they were split in half, hollowed out, and riveted back together somehow.
  15. Usually when I rivet tongs I cut a piece of the rivet material so that it is hanging on by a little bit. Then I heat it up, put the rivet through both holes, twist it off, and start hammering. Using a rivet block under the tongs is probably best so that you don't run the risk of bending the rivet instead of mushrooming it. Then I heat up the tongs and rivet, mushroom the rivet the rest of the way, and start opening and closing it to loosen the action.
  16. I just got a TEFC 2 HP 3 phase motor. One of the older ones with the cooling fins. I bought a 3 KW VFd on Amazon for it yesterday. The display panel can be separated from the VFD itself, so I can keep in a nice enclosure. https://www.amazon.com/gp/product/B0775GRPFJ/
  17. last year I suggested a dao bao. It is a combination veggie peeler and kitchen knife so you can cut and peel things without switching tools. The 2 pieces are held on with screws so it can be taken apart and washed/sharpened It might also be fun to do a "tacticool" theme where we make something that looks crazy like mall-ninja stuff. It would be giving into the dark side, making the knives that the basement dwellers and cheap katana collectors want!
  18. That is a lovely knife! I want to learn how to carve bone like that.
  19. That has an interesting steampunk look to it.
  20. When thae say "knife hilts," are they talking about the bolster, or the whole handle being made of horn? Also, is there a type of oak here in North Carolina that would be comparable to the oak in Europe?
  21. They don't think it be like it is, but it do. -Oscar Gamble
  22. My friend makes a nice boning knife, cut from thin stock, heat treated, and ground.
  23. I've been following your work on instagram. This is really cool! How are you able to control the heat so you don't accidentally burn the billet?
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