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    Mississippi(not quite Hades, but it's walking distance}
  • Interests
    Blacksmithing, Bladesmithing, Primitive Archery, Primitive Skills, Trapping and Fishing, Art History, Social Anthropolgy, Tool Development, Fire

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  1. Forging with wood is essentially forging with charcoal. It's helpful to build a ground fire and collect the hot coals from that fire and transfer them to the forge/fire pot rather than putting unburned wood directly in the forge. The moisture in the wood, even seasoned wood contains moisture, will spit and pop like crazy when you shoot the air to it. Charcoal forges work better with a side blast configuration than bottom blast and require very gentle air flow. A bottom blast coal forge will lift burning charcoal and ash like a volcano and makes a huge mess in your work area. Having said all th
  2. Hi Richard, I can tell you what little I know about Condor products. The temper is drawn back on all the ones I've handled and worked with to the point that they should be suitable for throwing. None of them hold an edge particularly well but that should be a plus for a thrower as it indicates a lower edge hardness which could cause chipping when subjected to impact forces. The thinning you refer to is called "back grinding", meaning you are narrowing the angle of the primary edge bevel. I would not do this to a knife I intended to throw. Having a thicker, more robust edge geometry, particular
  3. Great work as always Ibor! I've told you this before but I'm always blown away by those central ribs. I had a go at forging them on the edge of the anvil on a pugio project and it is one of those deceptively simple ideas. Simple in theory, complicated in practice!
  4. Welcome Rabbi. Speaking as someone who loves to ponder the unanswerable questions regarding time and eternity, I'm glad to see theology in your Interests column! Hopefully we can talk ancient weaponry too! Welcome to the coolest place on the web.
  5. The other variable you haven't mentioned is the drill rod. Are you 100% certain it's O-1? Probably a silly question but I couldn't tell from your post if the O-1 blades that did not crack were made from the same drill rod or from your O-1 flat stock. I know it's frustrating but you will figure it out and I hope to see those blades finished soon!
  6. Purple Heart is one of my favorites to work with but those are all good choices.
  7. Everything looks top notch. I really like your color choices on the handle. Did you make the tooling to flare the tube? It's a nice touch.
  8. Thank you for the information, again, well done. They should be proud to take those to the forest!
  9. Very nice. What is the blade steel?
  10. In my case I wasn't talking about putting my mark on something I didn't make. I get asked to make reproductions, aka fakes, of Civil War artifacts. My refusal to make them without adding my mark and a production date really irritates the potential clients who claim they only want an authentic repro. In my opinion, the only reason they are turned off by a makers mark on an otherwise well done facsimile is because they plan to pass it off as authentic for an absurd amount of money.
  11. What Alan said! There is no better, easier or faster way to forge closer to final shape than practice. If you don't have a hi power 2x72 that's all the more reason to hone your hammer skills. I mention this because most often when I hear this question it's because someone isn't happy with their metal hogging equipment. If on the other hand you have the best grinders and want to speed up production you may be ready to build a rolling mill. Hot rolling is a form of forging, usually at the level of heavy industry, but I have seen some really slick ones built from industrial parts for use in a smi
  12. Maybe it's because I live in the south and we have lots of American Civil War shows here where private collectors buy sell and trade artifacts. I get asked at least once every six months to make a repro of a D-guard Bowie complete with original markings. Go figure. I always tell them a price for the piece and add that my touch mark and date will be proudly displayed and none of them has ever wanted to move forward. I occasionally get a knife brought to me without a handle but with a story about being passed down for a hundred or so generations. After cleaning up around the ricaso there
  13. You can't buy one made anywhere near that well these days! I would clear a dedicated space for it and put it to work. Even if it sits idle a lot of the time you will eventually see a need for it and if it's gone you wont be able to replace it easily without searching for another older Powermatic or even a vintage 1960s Craftsman. The new stuff isn't even close.
  14. Thanks Zeb! I need advice on pretty much everything with this build! It's not meant to be historically accurate but if several things I've never done before go well my next piece will be a long tang, short broad seax. This little blade is 15cm and I'm planning to make the handle 10cm to 13cm. What I'm wondering about is whether or not to put a pommel with a peen block on it or just do a hidden tang. I made a couple of small chisels today and I'm going to do some practice carving on poplar because I have a bunch. I'll be checking with one of my knife maker friends to see what woods he has on h
  15. That's heavy! Every state has different regulations on poundage but everywhere I've checked so far is ok with 45lbs for whitetail. 45lbs will certainly bring them down with sharp blades.
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