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SharpByCoop

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    Norwalk, CT
  1. Kevin's been in contact with me and I will get to it when it arrives. WHAT an impressive build. I shoot hundreds and even thousands of knives, and a bunch of swords. It's rewarding and educational for me as well to understand the processes BEFORE they come to my door. I don't think I've posted in the forum for many years. Blame Kevin for the return! Best, Coop
  2. Hi Dick, I am most flattered to hear this. You 'get' it. When my images please me the most is when they look plausible and flow. I suspect you see this too, although it's hard to place your finger on why. I took pains to display the two insets with similar angles. The eye and nature loves symmetry. In this case they are converging out beyond the butt handle end of the core image. Many times my folder photos do this beyond the tip of the knife going the other way. I do not just slap the insets in. After years of doing this, there are times where I actually visualize the finished la
  3. Hi Guys, Thanks for the nice responses. As it should be, Don deserves the accolades. I was smitten with the shapes on this from the beginning. I love how handle meets the bolster slimming down to a waist. Like a long dress on an elegant lady. The shape of the slender tapering bolster and the two opposing curves of the blade at the lower choil. The more I look the more I see. I wish you all the same good fortune to find a style that pushes you and compliments you. I think Don found his. Coop
  4. Folks, I am remiss in not posting in this forum for months. This project made me step back in. Hello again. Don's work has always been top-tier. Don and I go a long ways back on photo projects (mostly for the dealers I do) and because of such he is my MOST photographed maker. I did not own a knife by Don, regrettably. Over a year ago we talked about creating a project that had a period aspect or look to it. Many of you know I enjoy the Mediterranean bowies or dirks in my Hill Pearce collection. Don loves them also. The 'look' is largely identified by the exclusion of a finger
  5. Joss is being kind in thanking me, but at this point making a light tent out of PVC is old-hat. That dagger is a GREAT example of the results you can achieve. :You_Rock_Emoticon: Nicely done. There are no excuses for poor images any longer from knife-lovers and makers. The cost of making a suitable studio tent on your own is only a few dollars. Well-done, Jens! Welcome aboard! Coop
  6. Hi Guys, I a tip of the hat to YOU, JD for posting and creating these. Yup, those who have been around bladesmithing for a while will remember Hill Pearce and his period-styled knives. JD caught a good taste with this creation. It's still 100% JD Smith, though, and your filework will always be one of your great hallmarks. :notworthy: Keep it up. This was very gratifying to shoot. Coop
  7. Thanks to all of you guys for your flattering comments. Don's knife is the star here. I just made it look as good as it is. Anytime you wish for a hi-res copy to print just email me. I will email it back to you. Coop
  8. It's voodoo.... Here is a Nick Wheeler shot I did with my tent and strobes: And here is the same shot wth a 5"x 20" black posterboard reflector positioned only over the blade: Crazy. It has the best effect if the blade is polished. Satin blades will not 'pop' like polished. I wish I knew more, but this was a pretty clear example of what Don described. Coop
  9. I had the pleasure of shooting this knife for Don, sent to me before it has arrived to his client. The talent in this knife is only exceeded by the friendship I maintain with Don. He's a fave of mine. The good makers only make it LOOK easy.... I know you will like it also. How could you not! Coop PS--glad to see this place back and running....
  10. ...and that describes it well. It's smaller and thinner than most of the work Don has done, and so the level of detail is that much MORE engaging. :eek: Signature mosaic blade and bolsters. No stone left unturned. Just.... wow! Coop
  11. Good points made. And some glaring generalities tossed in.... From what has been stated, you *really* can appreciate Don Hanson for what he has acheived. Look at the three photos of his work: http://www.fototime.com/05C5124B683B1D7/orig.jpg http://www.fototime.com/52310AC6F50E072/orig.jpg http://www.fototime.com/D16C6DD0C6C0057/orig.jpg He has raised and met the bar on three distinct levels: forged fixed blade, small fancy gents folder, and fancy BADASS tactical. (He got permission from Strider to utilize that blade shape.) OK, I'm a big fan of Don, and this is why. He bel
  12. Many of you guys might have seen these, but if not, spend a moment dreaming and admiring. There are thousands of hours labor put into the knives. You can appreciate the work and artistry. Chicago Custom Knife Show Photos I was fortunate to be the show photographer for Ed and Kathy Wormser's second show in Chicago. Coop
  13. Hi Jesse, You're getting there. Probably better than whatever you had before.... Unless you have those elusive daylihgt balanced fluorescents, you will have fits color balancing other types of lights. Even if you do, you may have to experiment on the various settings to see the differences. Take a simple knife shot in ALL the settings available and see what comes up. More light is ALWAYS better. Get more or get closer. Use a tripod and lengthen your exposure time, if nothing else. Use a manual setting to experiment. Knifemaking success is DEPENDENT upon marketing yourself and
  14. And that just about covers it. What I am most proud of is how *little* the black reflector detracted from the rest of the image. There are no big shadows and darker backgrounds. Selective darkening, if you will. You can't have it all. I should try a little digital movie and rotate it in the light. THEN you might get the picture! Coop
  15. Hi Aaron. Good points. I understand you completely and agree. The trouble is in the case of this knife, the hamon is like pearl--it comes alive when you move it. It is VERY hard to capture a static image that covers all aspects. Believe me, I was studying this in harsh light for a while trying to understand how clearly I could see it on the brink of a direct light reflection. Just outside of the main reflection was the 'cloudy line' that is the essence of a good hamon. I knew there WAS a light direction method that would capture that, but actually doing it was the challenge. Look
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