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Found 6 results

  1. Furusato (故郷, pronounced “foo-roo-sah-toe”) means home place or hometown and contains the ideas of being rooted or grounded wherever one may sojourn, and a confidence and longing for return. "When difficulties come, I remember my home place…Someday I shall fulfill my task. And, then, return to my home place. To the green mountains and clear rivers of my home." Takano Tatsuyuki, Furusato Materials for the wabisabi aikuchi style koshirae mounting include Tshikalakala (Wenge) wood for the kataki tsuka and saya, Hounoki (Japanese Magnolia) wood and cow horn for
  2. Back to some projects that were on pause for a few months while I relocated my workshop...here's the first: The inome (pronounced “ee-no-may”, 猪の目, eye of the boar) name comes from the pierced heart-shape designs on the decorative o-seppa (washers) on either side of the tsuba (handguard). This lovely motif is ubiquitous in Japan, seen often in architecture, furniture, and sword mountings. In this context, the inome symbol conveys the idea of the always forward-moving wild boar of Japan’s forests and mountains, never giving up or retreating. This tanto was forged from an antique horse-d
  3. A true and accurate understanding of the past is an important step towards a good future. 温故知新 (on ko chi shin) is an expression that most directly translates to, "study the old to know the new". This blade began as a reclaimed piece of a damaged antique sword and was carefully hand forged in a charcoal fire, smoothed with files and a sen scraper, differentially hardened using traditional water quench yaki-ire, and polished by hand with natural Japanese water stones. Materials for the chisagatana style koshirae mounting include Japanese hounoki wood for the handle and scabbard, copper bus
  4. Seeing as it has been awhile, here is a recent custom koshirae for a small antique tanto blade belonging to a client. Crimson lacquered samegawa handle, fukiurushi horn fittings, a silver mekugi, and polished black lacquer scabbard in a classical aikuchi style. Materials for the custom red and black aikuchi style koshirae mounting include lacquered samegawa over hounoki for the handle, a silver and copper mekugi, and lacquered buffalo horn fuchi, kashira, koiguchi, and kurikata. Overall length when sheathed is about 11.5″. Specifications 柄長 Tsuka: 3 sun 3 bu (100mm) 拵全長 Koshirae: 9 sun
  5. The nightime viewing of cherry blossoms by moonlight is cherished for the unique perspective and focus it brings to the experience. The dark tones of the sky and the gentle light of the moon provide subtle variations in colour, texture, and detail that cannot be fully appreciated by day. This kotanto is made from reclaimed shear steel from a horse-drawn carriage leaf spring and is housed in a koshirae that is somewhat reserved in its combination of materials and colours, evoking the feeling of a familiar and treasured object. The raw material for this blade spent more than the las
  6. I don't often have enough footage to follow right on through, but this project gets close...there are a couple of exceptions, the main one being the blade forging which is actually footage of the sister blade, forged around the same time from the other half of the same spring, to a similar kata...others will be noted as i go...enjoy 100 some hours in 22 minutes ^__^ This style of koshirae is a first for me. Though there are examples of several variations right up through Edo and beyond, the lines on this one are inspired by a muromachi piece, the clean, austere "boldness with restraint" makes
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