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Showing results for tags 'viking age'.
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It took me several months to finish the project, as it wasn't one of my priorities and I had to attend to some commissions in the meantime, but at least it came out really good to me. For the first time I decided to twist a wrought iron bar to see the effects after etching. Some viking age blades were done without the need of mixing two different kinds of steel when twisting the bars and I wanted to take a look on this visual. I must say that I loved the results and I'm really planning to make it on larger blades soon, maybe even a sword. So, this blade was forged on three parts: the spine and the core bars are wrought iron from the Victorian Age England, the edge is layered 5160 and 15N20 steels. The inlays on the spine are 18k gold. The handle, as simple as it could, is a piece of maple burl treated with linseed oil. The tang was glued to the handle using a home made cutler's resin recipe. The sheath is veg-tanned leather, with iron rivets and brass washers, rings and loops for suspension. The motifs are based on finds from the 10th century York and Dublin. Overall: 21,7cm B. length: 11,4cm B. width: 2,2cm at the widest part Thickness: 0,5cm
This sword was the most challenging piece I made so far and it really let me with a wish to achieve some more on my next swords. The blade was mainly made by stock removal, except for the tip and about 10cm of the cutting edge, as the owner wanted it to have some forging on it. It is 1070. Guards and pommel are made from a piece of British wrought iron from the Victorian Age and the inlays are brass. They are heavily inspired on the designs from a type S sword from Gjermundbu, Norway, but it is not made to look like the original. As some of you may notice it also resembles some interpretations of the Gjermundbu sword made by Patrick Barta, although I'm really far from his skills with inlays. At least I have the chance to practice more of this amazing technique on an actual piece, rather than on scraps and left overs. The handle is karelian birch burl from Russia, with one of the most outstanding patterns I've ever seen. The wood was ground to shape and then spent a whole week submersed in linseed oil for stabilization and it got this darker orange-ish color. On the scabbard I used pinewood and it is lined inside with natural wool. Outside I covered it with linen and then painted with very dark brown. The chape is mild steel and the belt bridge is maple wood and although it is glued with modern methods to the linen cloth for safety, the leather strips would do the job alone fairly well. I loved the final result and it really made me feel like a talented crafter, even with all the flaws it have. This excitement is the best part of being a blacksmith/bladesmith. As i usually like to do with swords, the is also a short tale I wrote about it that can be seen in my blog. Here is the link for this sword: http://vferreiraarruda.blogspot.com.br/2017/04/type-s-viking-sword.html Overall length: 94,5cm Blade length: 78,5cm Blade width: 5,3cm Blade thickness at the guard: 0,5cm PoB: 18,0cm Length of the grip: 10,0cm Weight: 1,240kg