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Bloomery langseax collab ....


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  • 1 month later...

Well folks.. sorry for dropping the ball on this.. but I really ran into creative mind blocks with this project. I wasn't liking the direction I was taking with the hilt at all.. and was frustrated with my inlay efforts. I got over the inlay and just learned to accept it for what it is.. because there was no turning back. I took on too much in that regard.. but was led to cockiness based on a good practice plate. Oh well.

 

I swapped out the ebony for some oosik and forged an iron pommel which was fire etched. The scabbard was made from cow hide and sheet bronze with nickel silver and horn 'sword bead' fashioned from a paper on Anglo-Saxon ring swords and sword beads. This bead matches the one on the lanyard.

 

A big thanks once again to Zeb Deming for making such beautiful steel and also a thank you to Alan for pinning this topic.

 

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Edited by Scott A. Roush
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I told you it was gonna be awesome...:)

Wonderful details.. I love the scabbard rings... the bone on bone handle... the beads... I love it, even the casual irregularities of the inlay.

George Ezell, bladesmith

" How much useful knowledge is lost by the scattered forms in which it is ushered to the world! How many solitary students spend half their lives in making discoveries which had been perfected a century before their time, for want of a condensed exhibition of what is known."
Buffon


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Thanks a lot everybody.

 

Zeb.. I'm just happy that you are happy.. because it would be sad not to honor the process it takes to make such a thing. I'm still in disbelief that a person can go out, pick up rocks, take some clay, sand and charcoal and make a blade!

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  • 1 month later...

I think this turned out awesome! It has real depth and character.

 

You (and a few others in the past few months) have really inspired me on the inlay. I've got to attempt that.

 

Thanks for sharing the process and the inspiration, Scott!

 

Dave

-----------------------------------------------

"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood, who strives valiantly; who errs and comes short again and again; because there is not effort without error and shortcomings; but who does actually strive to do the deed; who knows the great enthusiasm, the great devotion, who spends himself in a worthy cause, who at the best knows in the end the triumph of high achievement and who at the worst, if he fails, at least he fails while daring greatly." -- Theodore Roosevelt

http://stephensforge.com

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  • 4 weeks later...
  • 2 months later...

Scott,

 

I like the oosic better than the "piano key" look to the handle. That is very, very, nice. Every part of it, including the sheath. The sword beads are interesting and I wonder if they served a purpose much like studs on modern sheaths?

 

~Bruce~

“All work is empty save when there is love, for work is love made visible.” Kahlil Gibran

"It is easier to fight for one's principles than to live up to them." - Alfred Adler

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Thanks a lot guys!

 

Bruce.. the best I can understand is that 'sword beads' had amuletic purposes related to healing/protection. Other folks might have some idea. You find them associated with 'ring swords'.. the ring representing a bond between chieftains/thanes and his subjects. Not sure if there is a relation? Often they were amber which is known to have healing associations.

 

by the way.. I just picked up some amber. Looking forward to some bead making.

 

Here is a great Pinterest on them.. very beautiful:

 

http://www.pinterest.com/motuniverse/anglo-saxon-beads/

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