Vinícius Ferreira Arruda Posted August 18, 2017 Share Posted August 18, 2017 This was a very pleasant commission to work on for me. I could practice a little more of inlaying and the results got better than i could anticipate, even if I have much to evolve in this art. The blade was mostly done by stock removal, but the tip and the tang were forged prior to the grinding. It was made using 1070 steel. The hilt is of a variation of Petersen's type L and it's components are made in mild steel and the inlays are nickel silver. The twisted wires are also nickel silver. It was then oil coated and lightly heated to make it look darker, so the contrast with the cooper-alloy would be even more visible. It is also a good way to prevent rust. My signature this time went on the inside of the lower guard, as the blade carries my maker's name. And on the pommel is asymmetrical in decoration: one side carries a similar decoration to the guards and the other a "double Týr" bind rune. The idea of peening it on the pommel cap is also a historical method, but I made it mainly because it would be more secure than peening the upper guard and attaching the pommel cap to it. The handle is pine wood wrapped in cord and then covered with pig skin. The scabbard is also pinewood, as well as it's belt-bridge. It is lined inside with natural wool and covered with linen cloth. The chape is also mild steel and the bridge is held by leather strips. All the decorations were made to fit a late ninth century fashion, although it is a simplification of the Borre style rather than a more elaborate version. The runes on the blade are inspired mainly on inscriptions of later, 10th and 11th century blades commonly made in Latin language such as Ingelri or Gecelin, but also inspired on the famous Tizona of El Cid and the Cortana from the legend of Holger Danske when it comes in the naming process of it. The use of the runes or local language was a choice of the owner, although I'm aware of only a single sword with runic inscriptions from the period (according to Petersen, B1622), but I have no access to what is written on this exemplar. They read: ik er ulfsmoþRin (Ek er UlfsmóðrRinn - I am the Wrath of the Wolf) hioruarþR kirosi mik (Hjörvarðr gerosi mek - Hjörvarðr made me) They are all written in old norse and I used the danish long-twig young futhork to write them. The sword was exposed at one of the biggest blade shows here in Brazil, where it was awarded the prize of Best Sword of the show and is indeed a proud weapon to display, as well as is swift and powerful to wield. As usual, I wrote a short tale for this blade that can be read here: http://vferreiraarruda.blogspot.com.br/2017/08/ulfsmor-wrath-of-wolf.html I hope you like it. And here are the stats of it. Overall length: 94,0cm Blade length: 79,7cm Blade width: 5,4cm Blade thickness at the guard: 0,5cm PoB: 17,2cm Length of the grip: 10,3cm Weight: 1,150kg 11 Link to comment Share on other sites More sharing options...
Phil Ullrich Posted August 18, 2017 Share Posted August 18, 2017 Well done! So many great details I have always thought that one man of tolerable abilities may work great changes, and accomplish great affairs among mankind, if he first forms a good plan.... - Benjamin Franklin Link to comment Share on other sites More sharing options...
Alan Longmire Posted August 18, 2017 Share Posted August 18, 2017 I like the patina on the blade! Link to comment Share on other sites More sharing options...
Karim Posted August 18, 2017 Share Posted August 18, 2017 Those inlays are cool and look well executed, like it Link to comment Share on other sites More sharing options...
Chris C-S Posted August 21, 2017 Share Posted August 21, 2017 Beautiful. Also +1 on inlays. Link to comment Share on other sites More sharing options...
GEzell Posted August 22, 2017 Share Posted August 22, 2017 Excellent work man, that is an epic sword. The inlay and patinas give it a lot of personality. George Ezell, bladesmith" How much useful knowledge is lost by the scattered forms in which it is ushered to the world! How many solitary students spend half their lives in making discoveries which had been perfected a century before their time, for want of a condensed exhibition of what is known."Buffonview some of my work RelicForge on facebook Link to comment Share on other sites More sharing options...
Justin Mercier Posted September 3, 2017 Share Posted September 3, 2017 I like the extra pointy tip on the blade, makes the blade itself almost late-roman spatha like --- Justin "Tharkis" Mercier www.tharkis.com Link to comment Share on other sites More sharing options...
Joshua States Posted September 4, 2017 Share Posted September 4, 2017 Fabulous work sir! Now I'm off to read the story..... “So I'm lightin' out for the territory, ahead of the scared and the weak and the mean spirited, because Aunt Sally is fixin’ to adopt me and civilize me, and I can't stand it. I've been there before.” The only bad experience is the one from which you learn nothing. Josh http://www.dosgatosdesignsllc.com/#! https://www.youtube.com/channel/UCdJMFMqnbLYqv965xd64vYg J.States Bladesmith | Facebook https://www.facebook.com/dos.gatos.71 https://www.etsy.com/shop/JStatesBladesmith Link to comment Share on other sites More sharing options...
Clifford Brewer Posted September 4, 2017 Share Posted September 4, 2017 Four bagger fer sure..... If ya can't be good don't git caught !! People who say stuff can't be done need to git the hell outta the way of people who do stuff !!! Show me a man who is called an expert by his peers And I will show you a good man to listen to ...... Show me a man who calls himself an expert and I will show you an egotistical asshole...............!! Link to comment Share on other sites More sharing options...
Howie Posted September 5, 2017 Share Posted September 5, 2017 I agree, beautiful inlay work. Link to comment Share on other sites More sharing options...
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